I woke up nearly a fortnight ago in a hospital bed completely unaware of where I was, to multiple cellphone calls telling me that my friend and colleague, Tim Hetherington had been killed. I have written before about colleagues being killed (here and here) but I think that there’s very little I actually want to say about this episode. I’m overwhelmed by the tidal wave of industry tributes and I am completely uninterested that Tim was a photographer or a journalist; why he was where he was and what he was doing – simply that he was my friend and I hope that wherever he is, he is at peace.

I was heartened by the news on Friday that Sub-Saharan Africa is leading the global decline in new HIV cases. It seems that countries in this region have seen an infection rate drop of 25% apparently due to better education and preventative measures.

A few years ago, I was commissioned by Positive Lives to spend a month on the Rwandan/Burundian border looking at the lives of those affected. The Rwandan government had made great strides in their efforts to get people tested and educated about the risks but crucially about how to live and cope with the illness. The work won the Amnesty International Award in 2006.

As I said at the time, it seemed to me that the Rwandese, packed tightly into their borders, had learned the real meaning of forgiveness and acceptance.

Rwanda - Kibileze - Saidi Ruhimbana (40) comforts his wife Anastasie Hwamerera (40). Both have AIDS but Anastasie is very sick. In order to pay for medicine for their treatment they have spent their savings and taken some of their children out of school. Saidi was formerly a builder but is now too weak to lift anything heavy

Rwanda - Kibileze - Theogene Niyongana gives a lecture on HIV and AIDS to a group of people waiting to be tested for the virus at Kibayi Health Centre. By addressing their status, sufferers learn how to increase their life expectancy.

Rwanda - Kibayi - A woman receives her AIDS test result with shock at Kibayi Health Centre. The result is 'undetermined' which means she will have to be re-tested

Rwanda - Kibileze - A woman is given the results of her HIV test at Kibayi Health centre

Rwanda - Kibileze - Jean Pierre Sibomana (31) who is HIV positive, laughs with his wife and children (all HIV negative) about his wedding photographs. Kanage village

Rwanda - Kibileze - Teacher Potamienne Komezusenge (37) plays with her youngest child. She contracted HIV from her husband who died of the diesase and is buried in the back garden under a wooden cross. She says "As long as I feel strong, I feel OK emotionally... sometimes there is stigma here... but the biggest problem is money". Kibileze, Rwanda

Rwanda - Kibileze - Emmanuel Singizumakiza, a health educator shows a boy how to use a condom

Rwanda - Kibileze - Narcisse, who is HIV positive and the president of his local AIDS Association - Girimpuhwe ('Have compassion') - prays with his family at home at dawn before they start work in the fields. Kibileze, Rwanda

Rwanda - Kibileze - Narcisse, who is HIV positive and the president of his local AIDS Association - Girimpuhwe ('Have compassion') works in his fields

Without labouring the point, it was a pleasure to be taking pictures that weren’t simply showing people dying. I see so many photographers making work that purports to show an explanation of a subject but actually is little more than graphic cliche of a situation. That, at a time of crisis for visual journalism, isn’t enough. It isn’t enough to simply point a camera at someone and say ‘how terrible’. It says much that everybody has a camera and thinks that they have a right to call themselves a journalist by photographing the nearest horror without context or understanding. We earn a dubious and tenuous ‘right’ to report the world to itself by entering into a dialogue with it: an impossible covenant with a subject that tries not to perpetuate stereotype, easy answers or sloppy conclusions. It isn’t enough to go and photograph beggars on the streets of India for example to further our own purposes under the cover of journalism. We had better have a damn good reason to invade people’s spaces and lives. If you need an example of what is decent and committed about documentary practice look no further than that of my former Network Photographer colleague, Gideon Mendel who has spent more than a decade committed to the portrayal of HIV/AIDS in exactly the way I am talking about.

Afghanistan - Kandahar - A portrait of an Afghan boy

I had been debating for days whether to post something on Afghanistan (in light of our Great Leader’s brilliantly orchestrated ‘outburst’ about Pakistan’s involvement) when Time Magazine produced its most blatantly propogandist cover story for decades. The piece cynically manipulates Jodi Bieber‘s (a friend and ex-collegue from Network Photographers) dignified image of a mutilated woman to suggest that a withdrawl from this illegal, NeoCon war would lead to more barbarity. Presumably similar barbarity to the drone attacks killing countless civilians in both Pakistan and Afghanistan and the illegal, drug-infested, torture-soaked, Karzai government.

Let’s make no mistake here, the excuse that the brave forces of democracy are in South Asia to prevent another 9/11 is entirely spurious. Afghanistan did not attack America. The majority of those that did came from our staunch ally, Saudi Arabia – known for its robust defence of human, especially women’s rights. That a minority of Islamicists may have had bases in Afghanistan is more the result of Indo-Pak (and therefore CIA) intelligence machinations. Afghanistan has been raped and used by every invading army since the British had a go twice in the Nineteenth century. Are we surprised that such actions have spawned amongst the Pashtun tribes a spiteful and extreme Islam? I’m more surprised that it hasn’t been worse. My visits to Afghanistan (starting in 1994 to cover the Siege of Kabul for Der Spiegel) have consistently shown Afghans to be peaceful and kind – not that you’d get that from a whole generation of photographers and writers who have covered this forago ‘embedded’ courtesy of the American Industrial-Military Complex. Surely they are all turban headed (‘rag-heads’ are Iraqis… obviously) women-hating, primitives. Still, if we can’t understand ‘em and they don’t want our democracy, let’s bomb them, eh? Bomb them ‘back to the Stone Age…’.

According to Matthew Hob, the former US Marine who resigned his post as Political Officer in 2009, “The Pashtun insurgency, which is composed of multiple, seemingly infinite, local groups, is fed by what is perceived by the Pashtun people as a continued and sustained assault, going back centuries, on Pashtun land, culture, traditions and religion by internal and external enemies … I have observed that the bulk of the insurgency fights not for the white banner of the Taliban, but rather against the presence of foreign soldiers and taxes imposed by an unrepresentative government in Kabul.”

This campaign is lost as is the Mirage of the Good War.

Andy Aitchison, an old mate and editor at Network Photographers, has for the last five years been documenting the Orthodox Jewish Community in Stamford Hill in London. Not only is this work excellent but shows a unique commitment to a section of London’s community that is normally firmly closed. It’s part of Photomonth and is on at Madam Lillie in Stoke Newington – open for a month, every Friday – Sunday, noon – 6pm until Sunday 6th of December 2009.

I spent my first couple of years in a cold, damp house in Stamford Hill in the late 1960′s and the areas always been a draw for me: but unlike Andy, I never got around to exploring so thoroughly.

The France 24 website has a lovely slideshow tribute to the last, truly great, mid- century French photographer, Willy Ronis.

I have always loved his work for it’s romantic but humanist perspective. The beautiful, evocative portrait of his wife, the Leftist artist Marie-Anne Lansiaux, at the sink – Nu Provençal (1949) is deservedly one of the most famous images in photography.

We used to distribute Rapho’s images at Network and I could never quite get over the thrill of being able to look into that extraordinary archive.

The last word to Ronis though who said that ‘to transform chaos into harmony is the constant quest of the seekers of images’.